[기념 우표] 궁중채화 (2024)

 

 

 

 

 

궁중채화 기념우표 (2024)
전지 (우표 16개 구성)
Royal Silk Flowers


종수 : 2종
발행일 : 2024년 09월 03일
인쇄 및 색수 : 평판 / 4도 / 금박
발행량 : 544,000
디자인 : 고종정해진찬연 벽도준화, 고종정해진찬연 홍도준화
디자이너 : 박은경
우표번호 : 3776 ~ 3777
인면크기 : 30mm × 40mm
천공 : 13⅓ × 13⅓
용지 : 평판 원지
인쇄처 : POSA / Brebner Print

 

 

 

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https://smartstore.naver.com/kangdbang/products/10851620072

[기념 우표] 궁중채화 (2024) : 강다방

 

 

 

 

 

 

궁중채화

채화(花)는 조선시대 궁중의 각종 연회를 장식했던 종이, 비단 등으로 만든 조화(花)를 말합니다. 생화를 쓰지 않고 채화를 만들어 쓴 이유는 살아있는 꽃을 꺾지 않고자 하는 생명 존중의 마음 때문이었습니다. 또한 재화에는 시들지 않는 꽃으로 왕조의 영원불멸을 염원하는 의도도 함께 담겨 있습니다.

궁중화에 대한 기록은 <고려사>에서도 찾아볼 수 있습니다. 고려 때는 궁중에 소속된 장인들이 궁중화를 제작했고, 연회에 참석한 외빈에게 왕이 직접 꽃을 하사했다는 기록이 남아 있습니다. 조선시대에는 고종정해진 찬의궤), 고종임인진연의궤 등 여러 의궤에 채화를 만드는 방법이 기록 되어 있습니다. 채화는 궁궐의 큰 행사나 외국사신을 맞이하는 연회 등 국가 적인 행사에 사용되다가 사대부가와 민가에도 전해졌습니다. 그중에서도 왕의 자리를 장식하는 홍박도준화와 잔칫상을 장식하는 상화 참석자 머리에 꽂는 잠화 등 용도에 따라 달리 제작해 궁중의례의 품격을 높였습니다. 궁중 채화의 재료로는 비단이 많이 사용되었는데, 견이나 모직물, 종이, 깃털에 이르기까지 다양한 재료도 사용되었습니다. 채화로 만든 꽃의 종류에는 도화 과꽃 연꽃 목단, 국화, 월계화, 감꽃, 도라지꽃, 복사꽃 등이 있습니다. 장인 들은 은은한 색감을 위해 비단이나 모시 등에 자연염료로 색을 입혀 채색 하고 꽃잎 모양으로 오린 후 여러 인두를 사용해 꽃의 입체감을 살렸습니다.

채화는 조선왕조의 섬세하면서도 화려하고 기품이 가득한 궁중문화이자 공예작품입니다. 일제시대에 명맥이 끊긴 궁중채화를 국가무형유산 제24호인 궁중화장 황수로 장인이 고문헌을 통해 복원하였습니다. 우표에 실린 벽도 준화와 홍도준화는 1887년(고종 정해년)에 대왕대비였던 신정왕후 조씨의 팔순을 기념하는 만경전에 장식된 궁중화를 재현한 작품입니다. 준화는 꽃항아리인 화준에 장식한 꽃을 일컫는 말로, 도화나무를 세운 다음, 비단 으로 만든 홍도화와 벽도화를 붙이고 꽃 사이에 온갖 새와 곤충으로 장식한 후 붉은 천을 묶어 마무리 치장을 한 모습입니다. 준화는 주로 임금의 자리가 있는 정전의 정면 좌우 기둥 앞에 놓여 장소를 아름답게 하였습니다. 준화를 담은 화준은 고대 사회의 부루단지라는 옛 풍습에서 기원하였는데, 고대 사회의 사람들은 집안의 높은 곳에 밀, 보리, 벼 등의 이삭을 담은 단지를 올리고 그 안에 꽃을 꽂아 장식하여 신성하게 여겼다고 합니다. 우표 전지 배경은 <임인진연도방>의 일부입니다. <임인진연도병>은 고종황제가 51세 되는 해에 기로소(경로 예우의 목적으로 설치된 기관)에 입소하는 것을 기념하는 궁중잔치를 기록한 병풍으로 화려하고 장중한 궁중의례와 함께 궁중채화의 모습도 볼 수 있습니다.

 

Royal Silk Flowers

Chaehwa refers to artificial flowers made from materials such as paper and silk, which were used to decorate various banquets in the royal court during the Joseon Dynasty. The reason for using chaehwa instead of fresh flowers was rooted in a respect for life, avoiding the cutting of living flowers. Additionally, chaehwa symbolized the desire for the eternal and unchanging nature of the royal dynasty, represented by flowers that would never wither.

Records of Royal Silk Flower can be found in the History of Goryeosa»> During the Goryeo period, artisans affiliated with the royal court produced Royal Silk Flower, and it is documented that the king personally bestowed these flowers upon foreign guests attending banquets. In the Joseon Dynasty. methods of making chaehwa are recorded in several royal protocols, such as the «Records of Gojong Jeonghae Jinchan and the Records of Gojong Imin Jinyeon. Chaehwa was used in significant palace events, national ceremonies, and banquets welcoming foreign envoys, and eventually spread to the homes of the nobility and commoners. Among the various types, the hongbyeok dojunhwa decorated the king's seat, sanghwa adorned banquet tables, and jamhwa was worn in the hair of attendees, all serving to elevate the dignity of royal ceremonies. Silk was a common material used for Royal Silk Flower, though a variety of other materials, including linen, wool, paper, and feathers, were also employed. The types of flowers crafted with chaehwa included peach blossoms, callstephus, lotuses, peonies, chrysanthemums, rose of China, persimmon flowers, belflowers, and peach flowers. Artisans would use natural dyes to color the silk or ramie fabric for a subtle hue, cut the material into petal shapes, and use various irons to enhance the three-dimensional quality of the flowers.

Chaehwa is a delicate, yet splendid and elegant aspect of Joseon Dynasty royal culture and a masterpiece of craftsmanship. The Royal Silk Flower, whose tradition was lost during the Japanese colonial period, was restored by artisan Hwang Su-ro, who holds the title of National Intangible Cultural Heritage No. 124 in the Royal Silk Flower craft, through the study of ancient texts. The Byeokdo Junhwa and Hongdo Junhwa depicted on the stamps are reproductions of the Royal Silk Flowers that adorned the Manggyeongjeon Jinchan in 1887 (the year Jeonghae, during King Gojong's reign) to commemorate the 80th birthday of Sinjeong Wanghu, the great queen dowager. Junhwa refers to flowers arranged in a flower vase called hwajun. The arrangement involves placing a peach tree in the vase, then adorning it with Hongdo and Byeokdo flowers made of silk, decorating the spaces between the flowers with various birds and insects, and finally, tying a red cloth around it to complete the decoration. Junhwa was primarily placed in front of the columns on either side of the main hall where the king's seat was located, enhancing the beauty of the space. The hwajun containing junhwa originated from the ancient custom of burudanji in ancient society, in those times, people would. place a jar filled with ears of wheat, barley, or rice in a high place in the house, and decorate it with flowers, which they regarded as sacred. The background of the stamp sheet features a portion of the <lmin Jinyeondobyeong> The <Imin Jinyeondobyeong> is a folding screen that records the royal banquet held to commemorate Emperor Gojong's entry into the Giroso (an institution established to honor the elderly) in the year he turned 51. Alongside the magnificent and solemn royal ceremonies depicted, the screen also showcases the appearance of the Royal Silk Flowers.

 

 

 

출처 : 인터넷우체국
https://service.epost.go.kr/stamp.RetrievePostagGoodsList.postal?svctype=1&stamptype=2&timediv=2000&targetRow=1

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